In the creation of a piece of sculpture, various ideas by the artist and production processes may be utilized. Sculptural pieces can be born from certain happenings or things the artist notices in everyday life. To better understand sculpture, in this studio we would like to show how hints or ideas, experiments, production processes, models, and sketches can be transformed into sculptural pieces.
From maquette to a full-sized sculpture
Henry Moore《Maquette for Carving: Points》
Before starting a large sculptural work, Moore would make some small maquettes (template models) in order to review the shape and composition. He would then enlarge those shapes so small as to fit inside the palm of his hand.
From maquette to a working model
Henry Moore《Upright Connected Forms》
Henry Moore《Upright Internal / External Form: Flower》
When making a large-scale sculpture from the same composition as a maquette, Moore would make an intermediate-sized model (working model). He would then enlarge that working model uniformly to create the final large-scale sculpture. In this work, the larger external form is protecting the smaller internal form.
From maquette to a full-sized sculpture
Arnaldo Pomodoro《Maquette of “Sphere within a Sphere”》
The polished surface of the outer sphere and the inside of the inner sphere, which seems to have been eaten away, are in stark contrast to each other. This work also seems to show advanced machine civilization threatening life on earth.
How a bronze sculpture is made
Kyoji Nagatani《Astrolabium no.1 — Space-Temporal Vibrations》
The work is made by casting which is a process of pouring molten metals into a mold where the metals solidify.
Materials, forms and space
Ryo Inoue《Our Sculpture Class:Grade 3, Division 3》Animation 1ʼ30ˮ
Ryo Inoue is a composer / producer who single-handedly creates lyrics, music, songs, animations, and production. He created this animation based on three themes for sculpture: “materials”, “forms”, and "space".
Virtual sculpture
SHIKUMI DESIGN《Transform Yourself into a Sculpture》
If you stand in front of the display, an avatar representing you in the form of a sculpture will appear in the outdoor exhibition area shown on the screen on the wall. How your sculpture looks will vary depending on the season and the weather.
Theme | Henry Moore 1898–1986, British | Homage to Michelangelo | 1975 Lithograph |
Draped Reclining Figure | 1957 Bronze | ||
From maquette to a full-sized sculpture | Henry Moore 1898–1986, British | Maquette for Carving: Points | 1974 Bronze |
From maquette to a working model | Henry Moore 1898–1986, British | Upright Connected Forms | 1979 Bronze |
Upright Internal / External Form: Flower | 1951 Bronze | ||
The artist’s studio | Bourne Maquette Studio (Henry Moore Foundation, United Kingdom) | Photo panel | |
From a sketch to a sculpture | Katsuzo Entsuba 1905–2003, Japanese | Horse and Crow | 1971 Pen on paper |
Crow Playing with a Horse | 1971 Bronze | ||
From maquette to a full-sized sculpture | Arnaldo Pomodoro b.1926, Italian | Maquette of “Sphere within a Sphere” | 1981 Bronze |
From a sketch to a sculpture | Aiko Miyawaki 1929–2014, Japanese | A Moment of Movement | 1995 Silk screen |
A Moment of Movement | 1996 Silk screen | ||
Processes in commissioning a factory to make a sculpture | Teppei Kaneuji b.1978, Japanese | Hard Boiled Daydream(Sculpture/Spook) #1 Maquette | 2018 Cardboard |
How a bronze sculpture is made | Kyoji Nagatani b.1950, Japanese– | Astrolabium no.1 — Space-Temporal Vibrations | 2019 Bronze, stainless steel |
Astrolabium no.1 — Space-Temporal Vibrations Molds showing the working processes | Plaster, silicone rubber, wax, ceramic, bronze | ||
Materials, forms and space | Ryo Inoue b.1983, Japanese | Our Sculpture Class: Grade 3, Division 3 | 2015 Animation 1ʼ30ˮ |
Virtual sculpture | SHIKUMI DESIGN Japan | Transform Yourself into a Sculpture | 2018 Web camera, computer, screen, speaker, display, projector |
*各展覧会ページの掲載内容は、すべて掲載時点の情報です。
*掲載中の情報については、予定であり、予告なく変更になる場合があります。
* All information, representations, links or other messages may be changed at any time without prior notice or explanation to the user.